The National Bureau of Investigation has identified three suspects in the alleged sexual abuses that reportedly occurred at the state-run Philippine High ...
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by Hummam Sheikh Ali. SWEIDA, Syria, Aug. 21 (Xinhua) -- After eleven years of Syrian war have brought immeasurable suffering and pain to Syrians, ...
Manal Masoud, a Syrian woman in her late thirties, once suffered from domestic violence, as her husband hit her in the head, causing memory loss. So, I see this place as a place for support," the initiator said. Many women from across the country have joined Hnaidi's workshop to develop weaving skills, and formed a close bond by sharing their own stories.
Measuring the direct economic benefits of public art can be difficult. For those who support these programs, the indirect benefits are worth the cost.
“We kind of like to think of it as being for everyone and it is because it’s public but it’s also been placed in a specific area to generate business dollars,” said Stebner. “Lander, in particular, and other communities really look to public art as a way to not only hire Native artists and people of color but also have that artwork then directly reflect their lived experiences,” said Clifton. “It still contributes to a quality of life.” Friday has contributed to murals for the Laramie Public Art Coalition and is combining her artistic style with Abeyta’s for the mural in Lander. “The way we structured this was to try and fit a very small board and make sure we could handle what we were doing,” said Crimmins. “You’re paying the people who live and work in that community a living wage to help beautify and enhance their community.” “So it has the fireweed and then Talysa’s image is this really huge buffalo that’s sort of running at you from the wall.” “People that are visitors in Gillette are amazed at how many pieces of art we have in and around Campbell County that are part of the Mayor’s Art Council,” said Stephanie Murray, Community Engagement Manager for Visit Gillette. I think it’s a great way for communities to invest financially and culturally in their communities and support their local artists,” said Clifton. “It really is an investment in the community and the people who live there,” said McDermit. “I can’t guarantee that because we put a giant mural on the wall that every business is going to see a $10,000 increase every year. “When he was considering locating here, he was impressed with the sculpture program and said that’s why he wanted to be in Sheridan.
Aidan Curtis. A PRIMARY school art exhibition is teaching students the importance of looking after the environment while they learn valuable art and ...
They said art was a great way to spread messages to the community and highlight the importance of cleaning up rubbish in the environment. “To do something that was going to have a real life outcome, something where they could be proud of the work they created and share it with the wider community, was quite important,“ she said. According to art teacher Mel Holtz, the students took to the project with a lot of enthusiasm and helped to clean up the beach a little along the way.
Some of the top names in global contemporary art are part of a new virtual-reality art trail in...
It forms the biggest augmented reality art trail the city has yet seen, in an attempt to encourage visitors to stay in the CBD for longer, and was paid for through the state government and city council's $10 million Melbourne City Revitalisation Fund. "Melbourne's spectacular arts precinct is the envy of cities across the globe, and this vibrant new digital creative experience will give locals and visitors alike yet another reason to come in and soak up the colour, energy and vibrancy of our city," Lord Mayor Sally Capp said in a statement. Some of the top names in global contemporary art are part of a new virtual-reality art trail in Melbourne.
A new interactive augmented reality experience has arrived in Melbourne's CBD, supporting city traders by offering visitors more reasons to stay longer and ...
Visitors can download the free Acute Art app via the Apple Store and Google Play or find out more at [fedsquare.com](https://fedsquare.com/events/ar-trail). Trail ](https://fedsquare.com/events/ar-trail)runs from 22 August to 30 September at Fed Square. [AR.
Han Myint Mo kicks up a gold-coloured metal ball, pirouettes and catches it on the blade of a knife held in her teeth -- keeping up a Myanmar juggling ...
"I want to be an outstanding Ywal master like my grandpa in the future," she says. Ohn Myint started practising with Ywal in his 40s, immersing himself in the intense meditation it requires, as a way to restore movement to his limbs after he suffered a stroke. Han Myint Mo kicks up a gold-coloured metal ball, pirouettes and catches it on the blade of a knife held in her teeth -- keeping up a Myanmar juggling tradition on the edge of extinction.
From accidental conflagrations to planned incineration, nothing turns up the heat of art world commerce like a blaze.
As Fernie notes, a “15-year-old with a match” torching something is a “completely different proposition” from successful artists, while @BurntBanksy says that “random people burning art” since their stunt have failed to inspire the same buzz. “The idea in its purest form was to take something that has ‘value’ and destroy it,” said a representative of Injective Protocol, the company behind @BurntBanksy. The KLF themselves regret the act; but even in this case, something new was created: The Brick, a sculpture created from the ashes and exhibited at the Barbican. [Jean Tinguely](https://www.theguardian.com/culture/2000/jul/18/artsfeatures) created a kind of [Rube Goldberg](https://www.theguardian.com/technology/video/2018/apr/13/is-this-cake-server-the-most-extraordinary-but-useless-machine-ever-video) contraption on speed, an assemblage of wheels, drums, toys and a bathtub that set itself alight in the garden of MoMA. Perhaps the unrivalled moment in this flammable history of art, bringing together intention, value, performance and taboo is the KLF’s The K Foundation Burn a Million Quid. “Then I thought actually, I’m just much more interested in this now it’s been burnt, what’s that about?” It led to the foundation of the [Archive of Destruction](https://archiveofdestruction.com/), a timeline of destroyed art built on there being something “interesting about something that existed and then no longer exists or is transformed in some way”. The burning of art recalls the Bullingdon Club lighting £50-notes in front of homeless people or Burberry burning The NFT went for four times the price of the original, funding a new crypto-art venture called Burnt Finance, which – if you’re feeling charitable – might be viewed as a symbolic burning down of the old to bring in the new. “It’s like the idea of a phoenix rising from the ashes.” [Tom de Freston](https://www.theguardian.com/stage/video/2016/apr/20/tom-de-freston-artist-bedroom-battersea-arts-centre-bac-video), putting the finishing touches to a collection of work with the Syrian writer Prof Ali Souleman, watched his own blowtorch incinerate the [entirety of his studio](https://www.artrabbit.com/events/from-darkness-tom-de-freston). “I felt quite upset and annoyed and worried about what the hell I was going to do,” Fernie says. Some saw it as a cultural comeuppance.” Hirst’s was one of the first big names that the public latched on to.
'I Call It Art' is the inaugural exhibition in the Light Hall – the large room for temporary exhibitions located atop the new National Museum. Filling the Light ...
In addition, a large video and performance programme and a series of events will be presented during the exhibition period. We also want you to feel that the exhibition is talking to you in a way that sticks with you once you’ve left the museum. The exhibition shall touch visitors, and people should feel that this is relevant and important to them.” – Max and Aseel. „The point of the title is that you should come in and experience the exhibition on your own terms and from your own perspective. ‘I Call It Art’ is the inaugural exhibition in the Light Hall – the large room for temporary exhibitions located atop the new National Museum. The exhibition shows works that concern the audience, and that address important topics in society, such as identity, belonging, nationality and democracy.