End of the Road movie

Our PLAY, PAUSE, OR STOP? review of the new Queen Latifah movie now streaming on Netflix. by Andrew Morgan Published on September 9th, 2022, 2:13 pm EST.

Produced by Queen Latifah & “Saw” franchise producer Mark Burg, End of the Road limps to the cross-section between a road trip crime film, a “duffel bag full of money” film, & a family drama. Noticeably directed by veteran TV/music video director & first-time film director Millicent Shelton, this movie has the look & feel of a low-budget TV movie version of a thriller. The dangers of the open road where no one can hear you scream and the law is of very little use. Alone in the New Mexico desert, they have to fight for their lives when they become the targets of a mysterious killer. While traveling on a tight budget, they stay the night in a cheap, seedy motel. Let’s dive in with our should you watch review of the new movie headlined by Queen Latifah.

END OF THE ROAD on Netflix is a new action-thriller starring Queen Latifah, Ludacris & Beau Bridges. A solid Friday night movie. Full Review >

In End of the Road, the family is black and it’s a widow with her brother and her two kids. While the Netflix movie End of the Road is fairly predictable in most ways, the ending is really awesome. And the dad is usually the one to take care of business. Also, it’s the kind of movie you can enjoy and then let go again. She’s been in everything from Gremlins to Footloose, Back to the Future, and even Stand By Me. In End of the Road, we start out slowly by seeing a family in pain. Continue reading our End of the Road movie review below. So Brenda (Queen Latifah) needs to make the move from Los Angeles to Houston with her two children and her brother (Ludacris). Also, while the plot is pretty predictable, it’s precisely the kind of movie I like to kick back with on a Friday night. Read our End of the Road movie review here! END OF THE ROAD on Netflix is a new action-thriller starring Queen Latifah, Chris ‘Ludacris’ Bridges, and Beau Bridges. Sure, there’s also some humor and towards the end, there are even a few scenes that feel straight out of a horror comedy.

The Gist: Brenda (Latifah) rings up a first-aid kit, tow rope and road flares the local convenience mart. “Road trip?”, asks the clerk. “No.

The Queen gets violent. The Queen gets gritty. The Queen gets mad. Or call the cops, for that matter, a point that’s driven home later in the movie with all the subtlety of a ball-peen hammer to the cranium. The Queen doesn’t play morons. They hop in the SUV and pull out and drive for a bit and make it to Texas and move on: school, work, live, laugh, love. Performance Worth Watching: The Queen, of course. Reggie looks around and spots the tote bag, which is hard to miss, since it’s right there in the foreground, center frame. It’s for sure a B-movie, but does the B stand for “breathtaking” or “bottom of the barrel”? Brenda, being an ER nurse, rushes in and tries to save the dirtbag’s life. They get harassed by slack-jawed racists with overalls and a deer rifle, but Brenda gets them out of trouble by allowing them to psychologically degrade her. The Gist: Brenda (Latifah) rings up a first-aid kit, tow rope and road flares the local convenience mart.

Unbeknownst to Brenda, Reggie found a bag of money while helping her tend to the victim. And he took it, hoping to relieve some of his family's financial stress ...

[Spoiler Warning] And while Brenda holds this stance throughout the film, she eventually gives in and allows Reggie to keep some of the stolen money after they finally escape Mr. Brenda has to get her hands dirty to avoid being raped and killed. Brenda also threatens to snap the neck of a woman. So we’re invited to be “understanding” when Reggie wanted to take the bag of money to begin with. And when Brenda is nearly raped, her attacker makes a crude statement about being white. We also hear multiple uses of “a–,” “a–hole,” “b–ch,” “d–n,” “d–mit,” “h—” and “p-ss.” Then, the men who harassed her force Brenda to apologize for endangering their “white” lives. Then she bashes in a window with a baseball bat to retrieve the money. We see a flashback to Brenda and Jake kissing. A couple has sex in the background of a party scene. He protects them from danger when his sister can’t, offers them comfort about their dad and encourages them to make the world a better place. When she blows them off, they chase after the family in their truck, trying to run Kelly’s crew off the road.

Director Millicent Shelton delivers a popcorn movie with some applause-worthy twists that works both as an affecting family drama and a tight little thriller.

Is the Last of Us Part 1 on PlayStation 5 that much better than the PS3 or PS4 Remake? The script also gives the family plenty of scenes that ground them as a foursome who irritate but deeply love one another. Moore (House Out of Order) and David Loughery (The Intruder) are able to fuse together a warm family drama with a thriller that seeds its competent characters and story logic very well, so the big turns feel earned and plausibly established. End of the Road could have been a much dumber movie, like a whole lot of action thrillers tend to be, but screenwriters Christopher J. Bad to worse comes with a stay at a cheap hotel where a gunshot is heard in the room next door and Brenda, as a licensed nurse, goes to help and finds a man bleeding out from the neck. For a lot of families, spending part of their summer crammed together inside a car traveling somewhere far away is a rite of passage that ultimately challenges even the calmest of nerves.

Latifah and co-star Ludacris elevate a generic action-thriller to something more genuinely thrilling.

Ultimately, Shelton crafts a gritty, entertaining, emotionally engrossing ride of a movie that’s part Taxi, part No Country For Old Men, and just a smidge Are We There Yet? Latifah’s Brenda is tough, loving, raw, and real, and she kicks complete and total ass when compelled to do so during an extended sequence where the character takes on a bunch of bad guys and gals with her fists and feet, a broken bong, and a rifle. Although Brenda and her family, who are African American, seem to only run into one-dimensional, “bad” white people, the conversations they have amongst themselves ring more complex and true. Latifah even gets to deliver a couple of Clint Eastwood-esque bits of dialogue. Brenda quickly gets Reggie to divulge what he’s done to land them all in trouble, but the wheels—literally and figuratively—are in motion. Unbeknownst to Brenda, Reggie—an inherently decent semi-stoner who works at Chik-Fil-A—grabs a bag full of cash the dead guy had stashed away.

Directed by Millicent Shelton, the Netflix film End of the Road is a suspenseful action thriller starring Queen Latifah and Chris Bridges. The premise finds our ...

Nowadays it is more commonly know as The Hub City, and prides itself on being to offer everything a larger city can. Directed by Millicent Shelton, the Netflix film End of the Road is a suspenseful action thriller starring Queen Latifah and Chris Bridges. A breakdown of locations.

Marketed as a high-octane thriller, End of the Road features several intense musical cues with songs by Durand the Rapper, Alicia Keys, DUCKWRTH, Otis Redding, ...

Which songs from the movie will you be adding to your playlist? Surprisingly, the movie doesn’t feature music from its two notoriously musical leads, but perhaps the producers wanted to ensure we kept our focus on their acting performances rather than singing for this film. [End of the Road](https://netflixlife.com/2022/08/15/end-of-the-road-release-updates-cast-synopsis/) is now streaming and it’s only a matter of time before everyone on social media is discussing the twists and turns of this new Netflix thriller.

The Queen Latifah-starring killer-car movie is bang in the middle of the heap.

The car might be in the middle of nowhere, but the film ironically ensures that they stay in the middle of nowhere even after they reach Texas. Follow us on [also read] [Entertainment](https://www.firstpost.com/category/entertainment) [Elton John pays tribute to Queen at his final Toronto show: ‘She worked bloody hard’](https://www.firstpost.com/entertainment/elton-john-pays-tribute-to-queen-at-his-final-toronto-show-she-worked-bloody-hard-11216781.html) End of the Road wants to be both but ends up as neither, largely because it actually tries to cobble together a heart at the center of it all. Not to mention the amusement-park-level fetisization of the wild wild West, where danger lurks at every corner…and now I’m starting to sound like the creepy prologue of [Michael Jackson](https://www.firstpost.com/tag/michael-jackson)’s Thriller. Night Shyamalan](https://www.firstpost.com/entertainment/the-m-night-shyamalan-interview-ramifications-of-pandemic-coincide-with-the-minimalistic-way-i-like-to-tell-my-stories-9175411.html) film pursues them through the woods in a car chase that’s straight out of a neon-lit Tarantino wet dream. The genre is such that either it should be relentless action (like [Mad Max: Fury Road](https://www.firstpost.com/tag/mad-max-fury-road)) or retro-corny horror (Death Proof). Every time the family gets out of a pickle, they go on their merry way only to get into another – the writing lacks emotional continuity, and everything feels like a gimmick to present Brenda as a dangerous-when-wounded mom who stops at nothing to protect her family. [Steven Spielberg](https://www.firstpost.com/tag/steven-spielberg-movies)’s first film, Duel, a “killer car movie” on an American highway. Brenda speaks of her father being a Colonel in the army and how he taught her how to hunt and use a gun – a not-so-subtle sign of the chaos that lies ahead. The stage is set for a difficult, moving reflection on love, loss and identity. End of the Road starts promisingly – especially if you go in blind. But that’s where the road ends.

Four people sit in a car on the road, the driver adjusts the rearview mirror. Not exactly the road trip they had in mind. Credit: Ursula Coyote / Netflix ...

Several scenes are more than intense and upsetting, with the director not letting the audience rest for one minute more than her onscreen protagonists. And it’s within these scenes that Shelton allows her core four actors to explore themes of family, strength, and resilience amid playful banter and solid burns, making space for the film’s protagonists to connect as a family amid all this terror. (Without spoiling anything, just know the nest of neo-Nazis Brenda drives into do not end up with the upper hand.) Brenda is absolutely exhausted by the film's final moments, and she should be. Most of all, the four consistently do anything to keep each other safe, supported, and together through it all. And while this film's narrative may not reinvent the wheel — innocent road trippers see something they shouldn't, take something they shouldn't, get a "we know what you did" call, and have to outrun a mysterious killer in an isolated environment — End of the Road has more to say. Shelton makes a social thriller of it, moving the film’s Black protagonists through an unrelenting hellscape of white supremacy when all Brenda wants to do is drive her family to their new home in Houston, Texas, and start fresh.

As such, a better title for this movie could have been 'middle of the road' as that's exactly what it is when compared to other movies in the 'family in ...

But with barely any thought put into the plot points revolving around the stolen money, this is a movie that can in no way be considered satisfying. But as the contrived script stretches credibility, especially during the movie’s final half, this has to rank as a disappointment. This is largely because of the various plot holes that become apparent as the story unfolds. These thugs confront Brenda when she and her family get further down the road and she is forced to humiliate herself in front of them. This money supposedly belongs to a crime boss going by the name of Mr. Queen Latifah stars as Brenda, a woman who takes her two kids and her brother Reggie (Chris “Ludacris” Bridges) on a cross-country road trip when she decides to relocate after the tragic death of her husband.