Taylor Swift is a musical chameleon. Over the course of 16 years and nine albums, she's switched genres from country to pop to alternative to folk.
"I was a lot different than all the other kids, and I never really knew why," she said. "It felt too hot of a microscope. The more it seems like an open letter the better. "Taylor is texting you the day before: 'Here are the lyrics, here's a line, here's a melody. That's how I operate," Swift told the Mail On Sunday in 2009. Boom, boom, boom, boom, boom,'" said Ryan Tedder, who worked on the songs Welcome To New York and End Game. "I had this song called Picture To Burn, that's talking about how 'I hate your truck,' and 'I hate that you ignored me,' 'I hate you,'" she once told MTV, while discussing her debut album. It can get complicated on every other level, but the songwriting is still the same uncomplicated process it was when I was 12 years old." Her lyrics are detailed and relatable, whether she's singing about teenage crushes on Begin Again ("You don't know why I'm coming off a little shy/But I do." She had a lot of information. Swift generally changes lanes every two albums, so Midnights is unlikely to have the indie-folk feel of her pandemic-era releases On Friday, she will release her latest record, Midnights, described as "the stories of 13 sleepless nights scattered throughout my life...
Swifties are counting down the hours until Taylor Swift releases her 10th studio album “Midnights” at 12 a.m. ET on Friday, October 21.
[Midnights: Lavender Edition Vinyl](https://www.target.com/p/taylor-swift-midnights-lavender-edition-vinyl-target-exclusive/-/A-87503268)- $29.99 [Midnights: Lavender Edition CD](https://www.target.com/p/taylor-swift-midnights-lavender-edition-vinyl-target-exclusive/-/A-87503268)- $13.99 [Jade Green Edition Vinyl](https://store.taylorswift.com/collections/special-edition-vinyls/products/midnights-jade-green-edition-vinyl)- $29.99 [Blood Moon Edition Vinyl](https://store.taylorswift.com/collections/special-edition-vinyls/products/midnights-blood-moon-edition-vinyl)- $29.99 [Mahogany Edition Vinyl](https://store.taylorswift.com/collections/special-edition-vinyls/products/midnights-mahogany-edition-vinyl)- $29.99 - Family: $14.99/month after your trial period. [Spotify](https://www.spotify.com/): Once the album is live, Spotify will have a special lyric teaser video. - Student: Offer starts at $4.99/month after the offer period. [Walmart](https://www.walmart.com/ip/Taylor-Swift-Midnights-Moonstone-Blue-Jade-Green-Mahogany-and-Blood-Moon-Editions-Bundle-4-LPs/1561319022), you can still buy all four unique albums and CDs. - Family: Offer starts at $15.99/month after the offer period. Play on-demand music and listen to podcasts and songs offline with unlimited skips. - Duo: Offer starts at $12.99/month after the offer period. [Target](https://www.target.com/p/taylor-swift-midnights-lavender-edition-vinyl-target-exclusive/-/A-87503268) again to release a store-exclusive album. [taylorswift.com](https://store.taylorswift.com/). [Moonstone Blue Edition Vinyl](https://store.taylorswift.com/collections/taylor-swift-midnights-album/products/midnights-vinyl)- $29.99.
Taylor Swift shared lyrics from 'Midnights' on billboards in five different cities around the world. See photos of them.
The first of Swift’s billboards went live the morning of Oct. The locations of these special surprises were always teased a few hours beforehand on Spotify’s official social media accounts, meaning Swifties everywhere had the chance to camp out nearby in the hopes of becoming among the first to read a lyric from the “All Too Well” singer’s highly anticipated record. 21 to discover all of the lyrics on Midnights.
Taylor Swift announced at the VMAs that she would be releasing her 10th studio album, 'Midnights,' in October. Here's what you need to know.
And if you’re wondering why all four vinyl albums have numbers printed on them, it’s because they can be arranged to make an analog clock (because the title is “Midnights.” Get it?). “I struggle a lot with the idea that my life has become unmanageably sized and ... “Don’t feel bad for me — you don’t need to — but ... I like ‘Anti-Hero’ a lot because I think it’s really honest.” The singer-songwriter added that she’s “such a massive fan of” Del Rey, whom she deemed “one of the best musical artists ever.” “And I guess theoretically when you’re in the ‘Lavender Haze,’ you’ll do anything to stay there and not let people bring you down off of that cloud. “My relationship for six years, we’ve had to dodge weird rumors, tabloid stuff, and we just ignore it. because we live in the era of social media and if the world finds out that you’re in love with somebody, they’re gonna weigh in on it. “This is a collection of music written in the middle of the night, a journey through terrors and sweet dreams. [helped write some of its songs](https://www.latimes.com/entertainment-arts/music/story/2022-10-19/taylor-swift-zoe-kravitz-joe-alwyn-midnights). ‘Midnights’ will be Swift’s fourth new album in as many years (six including her remakes of older LPs). In August, the pop idol announced that she would soon be releasing her 10th studio album.
As Swifties around the world countdown to midnight and the release of Taylor Swift's tenth album "Midnights," she's tried to keep her fans happy by dropping ...
“There’s been a lot of discussion about William Bowery and his identity, because it’s not a real person,” Swift said in the documentary. [ Bowery as co-writer on two “Folklore” tracks, “Betty” and “Exile,” ](https://www.cnn.com/2020/11/26/entertainment/taylor-swift-folklore-william-bowery-scli-intl/index.html)causing speculation at the time about the writer’s true identity. As Swifties around the world countdown to midnight and the release of Taylor Swift’s tenth album “Midnights,” she’s tried to keep her fans happy by dropping a few hints about her new music in recent days.
Anticipation is building as global pop sensation Taylor Swift is about to drop her tenth album, Midnights. Swift's first album of new songs in almost two ...
“The floors we pace and the demons we face. For all of us who have tossed and turned and decided to keep the lanterns lit and go searching – hoping that just maybe, when the clock strikes 12 … [fan page](https://www.facebook.com/AutumnAffairs/posts/pfbid02GFXWEBtLcFQN7rugA42z9LSTiQXG2sMVxRMAe7PMXaa6wkuc3nC3g3ZW4VW7p23tl) alerted its followers: “Apparently the entire album has leaked and it’s all over Twitter and TikTok. “I honestly didn’t expect her at all to continue with Folklore/Evermore,” one said. “This is a collection of music written in the middle of the night, a journey through terrors and sweet dreams,” she wrote. [announced the release](https://www.theguardian.com/music/2022/aug/29/taylor-swift-announces-new-album-coming-in-october) of Midnights onstage at the MTV Video Music Awards in late August.
Taylor Swift gave fans an early glimpse at the music videos for her 10th album, "Midnights," in a teaser trailer during "Thursday Night Football."
Over the past month Swift has been teasing the song titles of “Midnights,” which she’s billed as “the stories of 13 sleepless nights scattered throughout my life.” Earlier on Thursday, sleuthing fans discovered that Swift had even teased a lyric from the album five months ago, delivering a speech at NYU. If you tune into the ‘Thursday Night Football’ game on Amazon Prime, I’m going to be showing a first look at the secret projects that I’ve been working on very hard for a very long time, getting ready for the ‘Midnights’ album.” “Anti-Hero” is the third track on the album, and was written by Swift and Antonoff. In a tweet after the teaser dropped, Swift revealed that the first music video will be for “Anti-Hero” and premieres Oct. “I just wanted to first of all say thank you so much to Amazon for giving me an opportunity to show you guys a first look teaser trailer of the secret projects that I’ve been working on for a really long time,” Swift said in a message at the start of the teaser. “Those projects are the ‘Midnights’ music movies, the music videos that I’ve made for this album to sort of explore visually the world of this record.
During the third quarter of Thursday night's football game between the New Orleans Saints and Arizona Cardinals, the award-winning singer shared a teaser ...
I had to sort of made up my mind that if you were going to be this generous and give us this, I thought it might be a fun moment to tell you that my brand-new album comes out October 21." [video on Twitter](https://twitter.com/taylorswift13/status/1583083964931055616?s=20&t=G2Qx0Clj294DbcAUMH_M8w) and Instagram saying, "I'm going to be sharing a first look at the secret projects that I've been working very hard for a very long time, getting ready for the 'Midnights' album. And I love storytelling and songwriting, I love writing videos, I love directing them, and I had a fun opportunity again to work with the cinematographer Rina Yang, who was my collaborator on the 'All Too Well' 10-minute short film," Swift said, introducing the trailer, which showed Swift's world of "Midnights." "I wouldn't be able to re-record my albums if it weren't for you," Swift said in her acceptance speech. "I'm really proud of what we made." And you would see it before the 'Midnights' album came out.
The clip compiles different scenes from as yet unreleased visuals, indicating appearances from Laura Dern, Jack Antonoff, HAIM, John Early, Mike Birbiglia, ...
[submitted](https://pitchfork.com/news/taylor-swift-seeks-red-redemption-submits-taylors-version-to-2023-grammys/) Red (Taylor’s Version) in the Album of the Year and Best Country Album categories. [Folklore](https://pitchfork.com/reviews/albums/taylor-swift-folklore/) in 2020, followed by [Evermore](https://pitchfork.com/reviews/albums/taylor-swift-evermore/) that same year. In addition, the record includes [a guest spot from Lana Del Rey](https://pitchfork.com/news/taylor-swift-reveals-new-album-midnights-full-tracklist/) on a song called “Snow on the Beach.” [Taylor Swift](https://pitchfork.com/artists/28495-taylor-swift/) releases her new album [Midnights](https://pitchfork.com/news/taylor-swift-breaks-record-for-most-video-of-the-year-wins-at-2022-vmas/), the musician has shared a teaser trailer for the record’s forthcoming videos. Since then, Swift has shared the re-recorded, “Taylor’s Versions” of [Fearless](https://pitchfork.com/reviews/albums/taylor-swift-fearless-taylors-version/) and [Red](https://pitchfork.com/reviews/albums/taylor-swift-red-taylors-version/), which both landed last year. [announced](https://pitchfork.com/news/taylor-swift-breaks-record-for-most-video-of-the-year-wins-at-2022-vmas/) Midnights in August, as she accepted Video of the Year award at the 2022 MTV VMAs ceremony.
'Midnights' is the first Taylor Swift album to have a proper rollout strategy since 'Lover' in 2019. Along with albums from Beyoncé, Adele, and Harry Styles ...
That had been a major benefit to the surprise strategy — the rollout could happen after the album was out and keep it in the mix. Un Verano came at the right time, early enough to establish itself as a summer soundtrack, and Bad Bunny came out of the gate ready to promote with [a massive stadium tour](https://www.vulture.com/2022/08/bad-bunny-yankee-stadium-photos-bronx.html) and music videos. [An unannounced album still makes a splash](https://www.vulture.com/2019/01/does-the-surprise-album-release-still-work.html), but once fans move onto the next thing days or weeks later, it can be left floundering. That changed with Renaissance, thanks to Beyoncé actually leading off with “Break My Soul.” The song entered the chart in the top ten, dipped in the second week, then, thanks to a mix of strategies old (a radio push) and new (a flood of remixes), finally summited the Hot 100 the same week Renaissance hit No. [a trilogy of game-changing surprise releases](https://www.vulture.com/article/beyonce-2013-self-titled-album-impact-into-it.html), shocked listeners by announcing [Renaissance](https://www.vulture.com/2022/08/beyonce-renaissance-review.html) and an accompanying single in advance — a befitting retro touch for an album steeped in musical history. In fact, the release of Harry’s House helped the song bounce back to No. Before her, pop’s reigning classicist, Adele, [made her return](https://www.vulture.com/2021/10/adele-new-album-30-details-vogue-covers.html) with simultaneous magazine covers for Vogue and British Vogue, following those up later with an album announcement and single, “ [Easy on Me](https://www.vulture.com/2021/10/adele-easy-on-me-song-review.html).” Harry Styles introduced [Harry’s House](https://www.vulture.com/2022/05/harry-styles-harrys-house-album-review.html) with a trailer in March, followed by “As It Was” and two weekends of Coachella-headlining sets complete with song debuts and special guests. The last time her pre-album antics went this deep was before the pandemic, in 2019, when she had us scouring music videos for Easter eggs and deciphering [the pins on a jacket](https://ew.com/music/2019/05/09/taylor-swift-cover-story/) around Lover. Styles’s Harry’s House rollout worked similarly — “As It Was” wouldn’t now be one of the longest-running No. [After years of speculation](https://www.vulture.com/2022/05/kendrick-lamar-album-timeline-since-damn.html) around his final project for Top Dawg Entertainment, including a Super Bowl appearance with no new material, Kendrick Lamar continued his trend of directly addressing fans by announcing Mr. It was a month before the release of her just-announced tenth album, Midnights, and she had decided to start [the bread-crumb trail of information](https://www.vulture.com/2022/10/taylor-swift-midnights-theories-clues-tiktok.html) by debuting a new track name on TikTok. [Taylor Swift](https://www.vulture.com/article/all-taylor-swift-songs-ranked-from-worst-to-best.html) was in her element.
The singer-songwriter's 10th studio album is a return to the pop pipeline, with production from her longtime collaborator Jack Antonoff.
Target, which has had a long relationship with Swift, has its own exclusive LP version (on “lavender” vinyl) as well as a CD with three exclusive tracks. The most ingenious or shameless part — take your pick — of Swift’s vinyl strategy is what she has done with the back covers. In a sense, “Midnights” is Swift’s return to the pop pipeline after her digressions of the past couple of years. Swift is releasing four standard versions of “Midnights” on vinyl, each with its own disc color and cover art; they also correspond to four variant CD versions. Swift’s friendship with Kravitz, as fans know, is close enough that she once acted as an [uncredited assistant](https://wwd.com/business-news/media/nyt-great-performers-2020-list-tv-tiktok-michaela-coel-sarah-cooper-1234672957/) on a pandemic-era remote photo shoot of Kravitz for The New York Times Magazine. [kitschy videos](https://www.tiktok.com/@taylorswift/video/7147533441326648618?is_copy_url=1&is_from_webapp=v1) on TikTok that revealed song titles, one at time, taken from Ping-Pong balls in a basket, as if on a decades-old local TV spot. [making an album with Antonoff](https://www.elle.com/culture/celebrities/a39035654/zoe-kravitz-interview-march-2022/), is listed as one of the six songwriters of the first track, “Lavender Haze,” alongside Swift, Antonoff, Mark Anthony Spears (a.k.a. But an important factor in the sales and chart prospects for “Midnights” may be Swift’s embrace of physical music formats like CDs and vinyl LPs, which, because of the way Billboard crunches data about how music is consumed, can have a major impact on chart positions. Swift’s marketing this time has involved a series of “I find myself running home to your sweet nothings.” “Folklore” won The marbled vinyl has been pressed and sorted into collectible variants.
As Swifties around the world countdown to the release of Taylor Swift's tenth album 'Midnights,' she's tried to keep her fans happy by dropping a few hints ...
The vocals remain distinctive but the songs could do with more vividly told stories.
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On Swift's 10th and most challenging album, she and producer Jack Antonoff push her voice in new directions, rethinking the sonic rhetoric of first-person ...
She's still working to slacken the hold of the Old Taylor — of the many Old Taylors she's constructed through her music and celebrity. This is the kind of truth-telling that's earned Swift the devotion of her fans. For all of her kindness in the world and empathy and dedication to openness as a songwriter, Taylor Swift is, in her essence, sharp. "Labyrinth" — as good as any song inspired by one of her favorite subjects, the experience of still hanging on when you have to let go — melts her voice into myriad light streams, some as twisted as in a On "Midnight Rain" it's auto-tuned to vacillate between birdlike high notes and an almost masculine lower register, punctuating the story the verses tell of a young woman outgrowing a relationship with a sound that evokes that process of unfolding into a new self. is the kind of story song only Swift can write, dipping into gel-pen poetry to cultivate a swoony mood, then focusing on a scene of romantic persuasion and betrayal drawn so acutely that it stings. Usually she's explaining every move she makes, but here the music pulls her into the eternal now of her emotions, working against her persistent impulse to make sense of them. Sharpness is also key to Swift's perspective, surfacing in her love of the telling detail, of the rejoinder that cuts through whatever bulls*** the object of her love/hate has burdened her with. In the evening, with her lover nearby, does she vape a little Lavender Haze CBD Rosin and focus on the quietude creeping into her body beneath the relentless chatter of her thoughts? On Midnights she worked exclusively with her soulmate producer Jack Antonoff, bringing in only a handful of collaborators (the most notable is [Lana Del Rey](https://www.npr.org/artists/145913023/lana-del-rey), who gives great femme energy on "Snow On The Beach"), burrowing into a sound that might be called ahistorical chillout music. And then, in the studio, can she bring a lyric built on questions, turn to her trusted collaborator and say, "I don't care if this song is a hit, I want it to be weird"?
Taylor Swift's 'Midnights' album: read every song ranked, from 'Anti-Hero' to 'Snow on the Beach'!
“Anti-Hero” is ripe for stadium shout-alongs and TikTok lip syncs; it was designed for the moment, and built to last. Ornately constructed and brilliantly self-effacing, “Mastermind” demonstrates Swift’s songwriting wit at the end of the album, the words “I’m only cryptic and Machiavellian ‘cause I care!” echoing in the mind as Midnights comes to an end. Get ready for “Vigilante Shit” to become one of Swift’s all-time fan favorite tracks, and for good reason: the vengeance declaration, during which the superstar takes aim at an enemy and helps other women do the same, is stripped-down in its cutthroat approach, with deep-bubbling beats and synths that swirl around Swift’s proudly deployed venom. That pitched-down voice that opens “Midnight Rain,” then acts as a call-and-response partner to Swift throughout the song? From the whirring modular synth to the sumptuous backing vocals (courtesy of Zoë Kravitz, in part), “Lavender Haze” sizzles as a piece of expertly arranged rhythmic pop, with Swift knowing exactly how to slide above the beats. The prettiest song on Midnights also happens to be Swift’s most intimate moment on the album: “Labyrinth” is stately and ethereal, with electronic lines skittering around Swift’s voice as she fears that she’s falling in love again. Detailed memories steeped in vulnerability, missed-chance romance, feelings evolving along with the words of the refrain — so many of Swift’s songwriting hallmarks show up on “Maroon,” and their impact hasn’t dulled one bit. The hushed beauty that marked parts of Swift’s Folklore/Evermore era can be heard on “Sweet Nothing,” an understated ode to the calming presence of a relationship as the world seemingly spins out of control. A story of refusing to settle into early-thirties ennui, “Bejeweled” zips along with purpose, the plinking synths serving as connective tissue before bursting into sparklers above Swift’s hooks. Don’t let the muted beginning and subtle instrumentation fool you: “You’re On Your Own, Kid” snowballs as Swift’s frustrations compound, and eventually reaches one of the album’s most effective crescendos. Even if “Question…?” doesn’t fully congeal, the song boasts some fascinating tidbits to pore over. [wrote](https://www.instagram.com/p/Ch1Ed_Su6Qw/?hl=en) in August while announcing the project, “a journey through terrors and sweet dreams.
The album treads aggressively familiar territory—but with new wisdom and confidence. By Spencer Kornhaber. A portrait of Taylor Swift. Beth Garrabrant.
On the delightfully trollish “Anti-Hero”—“Sometimes I feel like everybody is a sexy baby, and I’m a monster on the hill”—she makes the highly specific insecurities of a celebrity land as a (The lovely “Snow on the Beach,” for example, is almost ruined by a pointless Janet Jackson reference.) But the concision of Swift’s songcraft and the nuances of her phrasing should keep the listener tuned in. (Please diagram this double negative: “Karma’s a relaxing thought / aren’t you envious that for you it’s not?”) For the opener, “Lavender Haze,” the cartoon-villain smolder of her voice has human creaks and squeaks. “Maroon” and “Question…?,” two songs about hot memories, churn with a near-tragic blend of energy and frustration. That knack for relatability is her superpower—one so potent that it almost makes Midnights’ insularity seem noble. [Reputation](https://www.theatlantic.com/entertainment/archive/2017/11/reputation-taylor-swift-first-review/545561/) in 2017 and [Lover](https://www.theatlantic.com/entertainment/archive/2019/08/taylor-swift-lover-review-faith-religion/596725/) in 2019—tinged with extremity and experimentation, brilliance and [cringe](https://www.theatlantic.com/entertainment/archive/2019/04/taylor-swift-me-song-review/588118/). The concept behind the album title—Swift documenting “13 sleepless nights” over her lifetime—is an excuse to tour through old obsessions: exes, haters, feuds, her beau’s talent for distracting her from all of the above. Yet compositionally, Midnights is sleek and sturdy in a way that no previous album of hers is. Last year, she expanded an old ballad, “All Too Well,” [into a 10-minute saga](https://www.theatlantic.com/culture/archive/2021/11/snl-taylor-swift-all-too-well-red/620706/) that flickered with controlled fury. What’s distinct about her return to synth pop is just the flavors she stirs in: oozing bass, surmountable melancholia, and the same type of confession and awkwardness that appears 45 minutes into an office happy hour. The choice of moodily distorted vocals feels especially dated; putting humanoid whale moans in an album’s first moments, as Swift and Antonoff have done, is like opening an IPAs-and-bacon bar in 2022. Transcending expectations is its own expectation, and Midnights makes clear, with modest poignance, that Swift has burned out on her own hype.