Just three weeks remain here in 2022, and though the new horror releases are starting to slow down considerably, the good news is that the new horror.
In the film, “When two young filmmakers (Aaron Poole & Jim Gilbert) select a crazed conspiracy theorist as the subject of their new movie, they have no idea the terrifying peril they will put themselves in. In fact, tons of films took inspiration from them, including Prometheus, Transformers 3, and even the very first Captain America, just to name a few. As their host sits them down for a lavish Holiday feast, ghastly gifts and terrifying tales are unleashed and soon the women wonder if they’ll live to see another Christmas!” Trapped together by a dangerous storm, a battle of wits escalates to a violent game of revenge. In response to a global rise in demonic possessions, Ann seeks out a place at an exorcism school reopened by the Catholic Church. Jason Blum said in a statement, “We’re proud to have writer/director Nikyatu Jusu’s Nanny as part of our slate for Amazon. “Anna Diop (Us) stars as a Senegalese immigrant nanny working for a privileged couple in NYC. Thrust onto the spiritual frontline with fellow student Father Dante (Christian Navarro), Sister Ann finds herself in a battle for the soul of a young girl, who Sister Ann believes is possessed by the same demon that tormented her own mother years ago. But beneath the viscera and grue is a tender and affecting tale of first love and discovery. “Sister Ann believes she is answering a calling to be the first female exorcist… On this spiritual battlefield, an unlikely warrior rises: a young nun, Sister Ann (Jacqueline Byers). There’s a matter-of-factness to the gore, and cannibalism will likely repulse mainstream or unsuspecting audiences.
The film stars Taylor Russell and Timothée Chalamet as Maren and Lee, misfits who crisscross 1980s America in a variety of sun-faded cars. As with previous ...
Never straying far from the flesh-eating metaphor, Bones and All offers a startling recrimination of sun-dappled mid-century American nostalgia, as a place with a dark side rooted in denial. This makes the period-specificity of Bones and All doubly potent for its sinister implications, as the other cannibals Maren and Lee meet during their travels embody something like a tour through queer archetypes and stereotypes from an era before it was safe to be out—from the lonely oddball to the institutionalized wreck. What’s fascinating about the metaphor in Guadagnino’s film is that cannibalism is something practically everyone can agree is a disgusting and unnatural way to behave. In one memorable scene, Chalamet literally cruises his next victim, pulling him into a cornfield with the promise of kisses, only to open his jaw a little wider and dig in. The film stars Taylor Russell and Timothée Chalamet as Maren and Lee, misfits who crisscross 1980s America in a variety of sun-faded cars. Those who, upon hearing that his new project Bones and All (2022) was about cannibalism, assumed it was conceived in light of the actor Armie Hammer’s peculiar and sadistic sexual allegations (which ruined plans for production of a Call Me by Your Name sequel) will be surprised by this film’s intensity and specificity of vision—naturally, it had been in development for years before the scandal.