The Pale Blue Eye

The impressionistic tale of a young Edgar Allan Poe may not be based in fact, but it captures the essence of the young writer.

Yet bringing them together in this way tips The Pale Blue Eye into ludicrous, overlong melodrama. Henry Melling – known to viewers as Dudley Dursey of the The acting, which is mainly excellent, becomes hammy. As more murders ensue, the mystery deepens. Auguste Dupin (whose name Bale’s Augustus Landor partially evokes). The body is found hanging from a tree by the banks of the Hudson. His rib cage has been surgically ripped open and the heart removed. [cinematographer Masanobu Takayanagi’s](https://variety.com/2012/film/news/takayanagi-japanese-transplant-captures-extreme-conditions-1118049919/) evocative palette, where the pale blue cloaks of the West Point cadets contrast with the monochrome winter setting. The specific image of a pale blue eye is evoked by the seductive Lea Marquis’s (Lucy Boynton) eyes and the “piercing look” of detective Augustus Landor (Christian Bale). [crop up repeatedly](https://muse.jhu.edu/article/439628) in Poe’s work: [occult ritual and cryptograms](https://www.scientificamerican.com/article/a-cipher-from-poe-solved/), the border between sanity and insanity, the image of the [beautiful dead woman](https://books.google.co.uk/books?id=090diHhmp40C&printsec=front_cover&redir_esc=) – which Poe notoriously described as “the most poetical topic in the world”. [The Tell-Tale Heart](https://poemuseum.org/the-tell-tale-heart/), the story of a man so disturbed by a lodging house mate’s pale blue “vulture eye” that he kills him and dismembers his body so he can hide it under the floorboards. [Depression and language: analysing Edgar Allan Poe's writings to solve the mystery of his death](https://theconversation.com/depression-and-language-analysing-edgar-allan-poes-writings-to-solve-the-mystery-of-his-death-131421)

The military summons Christian Bale's veteran detective Augustus Landor to solve the crime. Also at the academy as a cadet is Harry Melling's young Edgar Allan ...

One cannot get enough books, the other wants to have nothing to do with them. It wouldn't have changed naught else in the story. In such mysteries, the elements are one of the characters, and Cooper and Takayanagi recognise that. The corpse of a cadet at the United States Military Academy in West Point, New York has been found hanged, and later at the mortuary its heart is ripped out with the precision of a surgeon. The only out-there thing about it is Poe himself. Soon enough, another cadet is found brutally murdered in the nearby woods, his heart too carved out from his chest—though, this time the procedure appears cruder.

'A film shouldn't be like an enema,' says writer-director Scott Cooper. Here's how he and frequent collaborator Christian Bale stretched its suspense.

“We wanted it to feel bare, unforgiving and brutal, with a very narrow color palette, almost shooting the film in black and white,” Cooper says. “It was a brutal shoot,” Cooper says. “It made it memorable,” recalls Bale. “Somebody as intense and masculine as Landor is realizing that he’s missed a great deal in assuming that he has time,” Bale says. “He approached him as someone warm, witty and humorous, prone to poetic and romantic flourishes, looking for a connection.” “So lifelike that I would look over at one of the actors looking at his cadaver, and you could see them having an unsettling out-of-body experience. “And Christian is on that ledge with me [to] explore the darker corners of the human psyche.” “When I started to look at his work with more intention, it was a surprise [to discover] how much he has infiltrated culture and my brain without me even knowing that it was him doing so. Cooper has been contemplating the chief questions of “The Pale Blue Eye” since reading it after directing his first film, The gentle yet opinionated loner — not the “Master of the Macabre” just yet — teams up with Landor for the investigation. To become legendary, you have to be a keen, invisible observer and not be a part of the story, which Christian did beautifully.” Transport the audience somewhere, “The Pale Blue Eye” does.

Filmmaker Scott Cooper's latest is a gothic thriller about a grizzled detective (Bale) and the young poet investigating a series of brutal killings.

His movies are more coherent for their actorly musculature than for ins and outs and of the stories he tells, and The Pale Blue Eye is no different. The actor starred in Cooper’s Out of the Furnace (2013) and Hostiles (2017). The offense is that it does so in service of a mystery that barely matters. So it’s up to the rest of this dreary set to get our minds going, a job that they only barely get to do, in a movie that does not always seem confident in how and whether it aims to please us. The Pale Blue Eye, written and directed by Scott Cooper and based on the 2003 Louis Bayard novel of the same name, is only ostensibly a movie about a mystery. If he weren’t Edgar Allan Poe, he’d seem like a plant: a character whose strangeness is meant to attract our suspicion, to the benefit of the more obvious crook drifting somewhere in the shadows, pulling the strings. Well, and maybe for the pleasure of his hifalutin drawl, the general Old South essence of his company, which stands out as exotic in the Hudson Valley and has accordingly made him a target among his peers. Really, it’s a movie fixated on the spindly strangeness of the poet somewhat at its center, who’s only recruited into Landor’s company, at first, for the sake of his gothic instincts. And he’s seen enough death, one presumes, that the spookiness of this endeavor, wherein the body count is sure to increase, probably won’t get to him. That means he’s perfect for the job: he has no one and nothing to lose. The coroner and others will eventually discover that the man’s heart has been stolen from his chest and a portion of a note, yet to be deciphered, has been hidden away, clutched in the dead man’s hardened grip. It’s 1830 on the snowy New York campus of the United States Military Academy and a young cadet has been found hanged.

Watch – Film Critic Chuck Koplinski came on the Morning Show to talk about “Matilda” and “The Pale Blue Eye”.

Directed by Scott Cooper and starring Academy Award winner Christian Bale, the Netflix gothic thriller The Pale Blue Eye begins streaming today – and the ...

Sadly, The Pale Blue Eye has been faced with some criticism. “The Pale Blue Eye intrigues with fascinating character dynamics and occult themes. A solidly built mystery, The Pale Blue Eye crumbles in the underwhelming third act, which doesn’t deliver a resolution that fits the complexity of the crime presented. The narrative eventually stumbles with pacing issues and a perplexing, twist-laden third act. [Christian Bale](https://movieweb.com/person/christian-bale/), the Netflix gothic thriller [The Pale Blue Eye](https://movieweb.com/movie/the-pale-blue-eye/) begins streaming today – and the reviews are now in. So, is The Pale Blue Eye and its central murder mystery worth a watch?

Harry Melling uncannily takes on the mantle of the poet in the film, which the screenwriter describes as a movie motivated by questions.

The end result is a work that gives viewers “time to languish in these silent moments” that focus on character rather than just “divulging plot.” Set in Hudson Valley, New York, in 1830, “The Pale Blue Eye” focuses on a murder of a West Point cadet. “I love to cast faces,” notes Cooper of how he assembled this overwhelmingly English cast. “The Pale Blue Eye” is an intentionally contemplative, slow-burn of a film. He shares that he hoped to change audiences’ “preconceived notions about who Poe was,” transcending the “dark, brooding, and melancholy” characterizations of the man to explore him as “warm and witty and a great companion.” Harry Melling uncannily takes on the mantle of the poet in the film, which the screenwriter describes as a movie motivated by questions including, “What drives someone to madness? Cooper relished the opportunity and “dangerous” challenge of putting the popular figure of Poe on screen.

John Fetterman officially became the 54th senator in Pennsylvania history this week. But courtesy of Netflix, he can add another job to his resume: Actor.

[ made a cameo in 2005′s Wedding Crashers](https://www.hollywoodreporter.com/lists/john-mccain-dead-5-memorable-cameos-tv-shows-movies-1137309/saturday-night-live-2002/). [as Fetterman tweeted last month](https://twitter.com/JohnFetterman/status/1601282214226165760), his wife Gisele also makes a cameo in The Pale Blue Eye. ... That’s a face that fits in the 1830s.’” She is possibly in the background of one scene in the same tavern about 45 minutes after Fetterman appears, though if it’s her, the background is too out of focus to conclusively tell. After all, looking for a senator in the film already broke the fourth wall plenty for us. We clocked him in one scene early in the film, when Bale’s character goes to a tavern after starting his murder investigation.