Harry Styles Harry's House

Earlier in the night, he also bagged the award for Best Pop Vocal Album. But it was Styles who ended up with the golden statuette. "On nights like tonight, it´s ...

1 on the Billboard Hot 100. Concluding his winning speech, the star also thanked the Recording Academy again, saying, “This is really really kind … “Man, I’ve been so, so inspired by every artist in this category with me,” he said.

Former One Direction member Harry Styles took home the Best Pop Vocal Album title for his studio album 'Harry's House' at the 65th annual Grammy Awards.

This year, he was nominated in six categories; in addition to Best Pop Vocal Album, he received recognition for Album of the Year ('Harry's House'), Record of the Year ('As It Was'), Song of the Year ('As It Was'), Best Pop Solo Performance ('As It Was'), and Best Music Video ('As It Was'). Styles described making 'Harry's House' with two of his best friends as "the greatest experience of my life" and playing it for people "the greatest joy I could've asked for". [One Direction](http://www.outlookindia.com/topic/one-direction) member [Harry Styles](http://www.outlookindia.com/topic/harry-styles) took home the Best Pop Vocal Album title for his studio album 'Harry's House' at the 65th annual Grammy Awards.

After taking home Album of the Year, Harry Styles' ill-advised acceptance speech only highlighted the Recording Academy's worst instincts.

Seminal MC Gangsta Boo was snubbed from an In Memoriam segment the same year hip-hop luminaries gathered to honor the [50th anniversary](https://www.avclub.com/grammys-hip-hop-tribute-artists-1850076552) of the genre. His point has some merit: he sold out [fifteen straight nights](https://www.rollingstone.com/music/music-news/harry-styles-madison-square-garden-banner-raising-1234597708/) at Madison Square Garden, tapped into a certain ubiquitous liquid gold with “As It Was,” and has far and away proven himself to be the most enduring and interesting member of One Direction a decade on. The Recording Academy relishes in lauding white, male artists who approach queerness and diversity the same way a Target display does during pride month: as something to be sanitized, perfected, and mass-distributed. The fact is, “this” happens to guys like Harry Styles all the time. [local bakery](https://secretmanchester.com/harry-styles-bakery-holmes-chapel/). Despite the outrage it fostered, most didn’t categorize Styles’ win as anything close to a surprise—at this point, some sort of egregious fuckery is as essential to the ceremony as a Trevor Noah hosting spot.

Harry Styles' acceptance speech after he won the Grammy award for album of the year caused an uproar on social media Sunday night.

Styles was up against Beyoncé and eight other artists, including Bad Bunny, Lizzo, Adele and Kendrick Lamar. Thank you very much,” Styles said, before handing the microphone off to his co-writers Kid Harpoon and Tyler Johnson. “I think on nights like tonight it’s important for us to remember there is no such thing as ‘best’ in music.

Beyoncé lost Album of the Year for Renaissance at the Grammys, for a fourth time, to Harry Styles's album Harry's House. Why did Harry Styles win the top ...

In [the new Songwriter of the Year award](https://www.vulture.com/2022/11/songwriter-of-the-year-grammy-why-it-matters.html), two of the five nominees had cuts on Styles’s album, including the eventual winner, Tobias Jesso Jr. (It’s a little surprising “As It Was” didn’t earn any hardware, but the wins for Harry’s House seem to be recognition of the album as a body of hits.) After the Academy was criticized for giving Jon Batiste’s We Are, an album without a single top-40 hit, AOTY last year, Styles’s project gave them the opportunity to be on the pulse, at no expense of its perspective. [Shania Twain](https://www.vulture.com/2022/04/harry-styles-late-night-talking-boyfriends-shania-twain-coachella.html)) and present ( [Lizzo](https://www.vulture.com/2022/04/harry-styles-lizzo-i-will-survive-coachella-surprise-guest.html)). As it faded out, Styles and his team teed up hits-in-waiting “Late Night Talking” and “Music for A Sushi Restaurant,” both of which hit the top ten. Styles had a hold on the charts as well, with “As It Was” logging a record five separate runs atop the Hot 100, from its No. Blige, Kendrick Lamar, or Lizzo stole votes from her, why didn’t the same happen to Styles with ABBA, Adele, or Coldplay?) It also feels beside the point to argue whether Styles deserved AOTY over Beyoncé — [we’ve done that with her past two snubs for Beyoncé and Lemonade](https://www.vulture.com/2017/02/what-more-does-beyonc-have-to-do-to-win-album-of-the-year.html), and the answer remains a resounding yes. Beyoncé, on the other hand, added a fourth snub for the top honor to her career, this time for [Renaissance](https://www.vulture.com/2022/08/beyonce-renaissance-review.html), a spectacular, holistic project celebrating Blackness and queerness that [many critics](https://www.vulture.com/article/best-albums-2022.html) had already declared the record of 2022. Then when the record came out in May — logging over a half-million units, the second biggest week of the year behind Taylor Swift’s debut for Midnights — Styles hit the road. [took Best New Artist](https://www.vulture.com/2023/02/grammys-2023-samara-joy-best-new-artist.html) (the second jazz BNA win in less than 15 years, if you can believe it). [On Sunday evening](https://www.vulture.com/2023/02/grammys-2023-recap-best-worst-performances-winners.html), it was a different British pop star who stood between her and her first Grammy for Album of the Year: Harry Styles. Anyone other than Bey winning would’ve been met with some level of vitriol — especially after the Grammys spent the entire night hyping AOTY, and especially after [she became ](https://www.vulture.com/2023/02/beyonce-most-grammy-awards-history.html)the winningest artist in the Recording Academy’s history earlier in the ceremony. Styles won on his first AOTY nomination, for his third (solo) album [Harry’s House](https://www.vulture.com/2022/05/harry-styles-harrys-house-album-review.html), a pleasant but too-comfortable set of songs influenced by ‘80s synthpop and classic rock.

Even the highlights of last night's ceremony couldn't fully distract from its problems. By Spencer Kornhaber. Harry Styles performing in a silver tassled ...

In the spirit of that notion, the ceremony hyped up the Album of the Year race with pretaped segments in which fans of the nominees sat around a table and argued about why their faves deserved to win. The race and ethnicity of the performers shape the odds, too—partly because of traditionalist aesthetic ideas that just so happen to write off basically all of hip-hop. Yet the notably diverse roundtable also illustrated that the battle for a prize like Album of the Year is bound up with listener demographics and cohorts of taste. Setting aside that the fabrications seemed to diss the art form—insinuating that whatever music’s actually accomplishing right now isn’t all that impressive—the segment insisted that the Grammys don’t just reward the pleasing arrangement of vibrations in the air. And in arguing there is no best in music, he highlighted the delusion that the ceremony, to that point, had been reveling in. Music that is obviously based in electronic recording and production, that experiments and provokes, usually doesn’t. during the video, was to illustrate the hypothetical power of music. Justice would be for that backlash not to overshadow some of the milestones of this year’s ceremony: Beyoncé [breaking the record](https://www.nytimes.com/2023/02/05/arts/music/beyonce-grammys-win-record.html?smid=tw-nytimes&smtyp=cur) for the most Grammy wins in a lifetime; an [outstanding medley](https://www.stereogum.com/2212800/grammys-hip-hop-tribute-performance-video/news/) celebrating the 50th anniversary of hip-hop; a victory lap for the queer hitmakers [Sam Smith and Kim Petras](https://www.theatlantic.com/culture/archive/2023/01/sam-smith-album-gloria-review/672848/). Strong performances by Lizzo, Brandi Carlile, Steve Lacy, and Stevie Wonder (!), as well as the moving In Memoriam partly inspired by [the rapper Takeoff](https://www.theatlantic.com/culture/archive/2022/11/takeoff-rapper-migos-death/671963/), deserve a watch. Yet people like him—white, well-connected singers of tasteful pop and rock—are exactly who win Album of the Year Grammys. The kind of people who don’t win include rappers (a hip-hop artist last took Album of the Year 19 years ago) and Black women (you’d have to go back to 1999 for that). [well-made fluff](https://www.theatlantic.com/culture/archive/2022/05/harry-styles-harrys-house-album-review/629933/), and its victory over more daring, presently influential artists—including Beyoncé, Bad Bunny, Lizzo, and Kendrick Lamar—triggered uproar online.