Unwelcome

Jon Wright's Brit horror, Unwelcome, has an anarchic closer, he explains what it means.

And then fighting people who are a quarter of their size. At one point the plan was to add a sequence where Jamie answers the door in a pinafore to some “rough lads” who are selling trinkets, and calls Maya to come and talk to them. You see a lot of movies nowadays, where people step up to the plate when the chips are down. So we had an idea, wouldn’t it be fun to see giants breaking into a house and sort of wedging themselves through doorways like And one of the things that I’ve realized about building double height sets is it’s much cheaper to do giants because the sets are half size. In the movie Jamie and Maya are told by Niamh (Niamh Cusack) that they must leave a bit of liver out every night for the Recaps who live in the garden they have inherited from Jamie’s late aunt Maeve. And she’s not going to be scared of violent people anymore,” Wright explains. He says from there they developed the characters of Maya and Jamie – metropolitan, liberal, urban pacifist, Londoners who are very uncomfortable with violence, “and we push them to the point where they have to deal with their own violence. “What appealed to me about them was that they felt like the antithesis of leprechauns. There she finds a wizened and deranged old human woman living with the miniature maniacs – it’s the missing child now grown, who has been kept by the Redcaps. I want to do a version where the screen is a window into a world that you’ve never really seen before,” says Wright. “We were kind of almost making fun of each other, and making fun of ourselves really about what cowards we were, and how, if we were ever confronted with physical violence, how frightening we found it, and how useless we were at fighting.